The band’s next file would come out in 1997 underneath the name Carnival of Chaos, proving to be the epitome of this experimental interval containing songs from many alternative genres, together with the classic heavy metal, but also hard rock, nation, and even jazz. Shortly after the discharge of Carnival of Chaos, choose members of the Gwar ensemble appeared on The Jerry Springer Show to debate the growing development of “shock rock” and their position as entertainers. Carnival of Chaos could be the final album with Pete Lee on guitar, being changed by Tim Harriss who had beforehand been in the band around 1986 and was featured as a visitor guitarist on America Must be Destroyed. He was changed by Casey Orr, from the band Rigor Mortis. However, this line-up was quick-lived and would undergo multiple adjustments in the following months, with Eubanks quitting after only one or two reveals and being replaced by Joe Annaruma, who went on to document several demo tracks with the band. The band suffered additional line-up adjustments during this interval, with Dewey Rowell leaving the band in 1991 and never being replaced until 1992 by Pete Lee, after the recording of America Must be Destroyed.
Mike Delaney left in 1987. Dewey Rowell (Flattus Maximus), Michael Bishop (Beefcake the Mighty) and Rob Mosby (Nippleus Erectus) have been recruited in 1987, along with Steve Douglas (Balsac the Jaws of Death), who rejoined the band after having previously left. Barry ‘D’dwell’ Ward from the band Rich Kids on LSD stuffed in on guitar as Balsac during Gwar’s 1991 European tour. The band started touring in support of the album, with Steve Douglas leaving that same year, later to kind the alternative band Log, and being changed by current rhythm guitarist Michael Derks, who took over Douglas’ alias as Balsac the Jaws of Death. One year later, in 1989, Rob Mobsy left the band and was replaced by Pete Luchter, who also quit to be changed temporarily by Jim Thompson, who had been in the band prior to the discharge of Hell-O. Their first album for the label, War Party, was launched in October of that 12 months. The Charlotte, North Carolina incident from 1990 was the inspiration for Gwar’s third album, America Must be Destroyed, released in 1992. The album was accompanied by the film Phallus in Wonderland, which documented the principle concept and contained music videos for the album.
Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, amongst other things, the music video for the tune Sick of You. 1994 additionally saw the music movies for “Saddam a Go-Go” and “The Road Behind” being aired on Beavis and Butt-head. Fleischer saw match to give these characters inappropriate voices; Henry received an odd mumbling voice while the Little King acquired stuck with an effeminate whistling lisp. However, the band’s line-up underwent additional adjustments earlier than 1990. In 1988, the Slave Pit noticed the joining of Bob Gorman, a young, new artist who would help with the artwork design and fabrication aspects of the band. However, the public complained concerning the producers selection for the lead function due to “her look.” The producers buckled under the backlash. The album met with a big underground success, as it adopted the identical path Violence Has Arrived did, but this time with a extra critical and technical edge, partially thanks to the efforts of latest lead guitarist Cory Smoot (Flattus Maximus) and bass guitarist Todd Evans (Beefcake the Mighty).
